The archives show many versions of Eisenhower's farewell address warning of the military-industrial complex. The speech was delivered in January 1961, just before JFK took office. But versions of the idea and even of the speech itself date through 1960.- - -
New York Times
December 10, 2010
In Archive, New Light on Evolution of Eisenhower Speech
By SAM ROBERTS
The phrase that would emerge as the most enduring legacy of what became, arguably, the most famous farewell address since George Washington’s evolved over 20 months and was agreed to only a few days before it was delivered.
The words, in a speech by President Dwight D. Eisenhower, were transformed from a warning against a “war-based industrial complex” into a “vast military-industrial complex” and finally into a more vanilla “military-industrial complex,” which seemed controversial enough without the qualifier.
Documents released Friday by the National Archives shed new light on the genesis of the phrase in the televised address, which Eisenhower delivered on Jan. 17, 1961, three days before his successor’s inauguration.
In the final version, the president recalled that until recently the nation had no permanent arms industry, that “American makers of plowshares could, with time and as required, make swords as well,” but said that the country could no longer risk “emergency improvisation of national defense.” An adequate military establishment and arms industry were vital, he said, but their conjunction and “its total influence — economic, political, even spiritual” also had “grave implications.”
“In the councils of government, we must guard against the acquisition of unwarranted influence, whether sought or unsought, by the military-industrial complex,” Eisenhower warned. “The potential for the disastrous rise of misplaced power exists and will persist. We must never let the weight of this combination endanger our liberties or democratic processes.”
In the version he read from that night, those words were underlined. Several were typed in capital letters.
The newly released letters, memos and speech drafts — 21 in all — were received by the National Archives from Grant Moos, whose father, Malcolm, was Eisenhower’s special assistant and chief speechwriter.
“It’s probably the most important farewell address of the modern era,” said Karl Weissenbach, director of the Eisenhower Presidential Library and Museum in Abilene, Kan. “And now we get to see its evolution, which started in May 1959 and didn’t end until it was delivered. We also learn the important role of Milton Eisenhower, who was instrumental in making sure that his brother’s thoughts would be correctly portrayed.”
The earliest White House memos suggesting a farewell address mentioned only an appeal for bipartisanship. But the president wrote his brother on May 25, 1959, of “the importance of getting our people to understand that local affairs have a definite relationship to foreign affairs.” A year later, another White House aide was urging the president’s speechwriter to read Washington’s farewell address, especially its warning of “overgrown military establishments.”
On Oct. 31, 1960, another speechwriter, Ralph E. Williams, warned of a “permanent war-based industry” run by former military officials.
An undated draft titled “commencement” called for “jealous precaution” (Milton Eisenhower later deleted “jealous”) by civilian authorities “to avoid measures which would enable any segment of this military-industrial complex to sharpen the focus of its own power at the expense of the sound balance which now prevails.”
The president’s staff later expressed surprise at the phrase’s durability.
“I am sure that had it been uttered by anyone except a president who had also been the Army’s five-star chief of staff, it would long since have been forgotten,” Williams recalled years later.

Is '60 the moment when the end of the end of the Old Left had been reached and the New Left began to emerge? Is it the final ascendancy, in certain scenes at least, of poetic postmodernity? Surely the publication of Donald Allen's The New American Poetry that year suggests this, but then again--once again--we look back on "New" here and see continuity. The rhetoric of the Kennedy-Nixon contest made much less of a dent than everyone (at the time as well as since) claimed, so one wonders why were such great claims made?
Had we come to expect "1960" to be truly ubiquitously modern in a way that the 1950s really were not--not quite? And what specifically does "modern" mean in the Kennedyesque talk then and now about the torch being passed to a new generation, etc.? The First Lady really meant "modernist" when Camelotians said "modern." What about the others across the new young cultural leadership? I've been surprised by how frequently the
"Beat movement" was covered in 1960 in the mainstream press. I was expecting a fair measure but I've found tonnage. 1960 was the year when the figure of the beat was beginning to find acceptance, although still 80% of these stories are mocking, rebels-without-cause condescension. For anyone whose analysis made an impact nationally, do these antipolitical adolescents count as part of the "new young cultural leadership"? No, but rather than the two being opposites, they fall along a Continuum of the New American. Now that's a change for '60.