Click here for more on the fall 1960 MoMA show called "Visionary Architecture."
Showing posts with label architecture. Show all posts
Showing posts with label architecture. Show all posts
Friday, September 2, 2011
Monday, December 22, 2008
space worked out logically
The year 1960 was the peak of the era of the powerful new space planners, who were specialists "in the science of making interior office space work out logically, i.e. profitably" (so said Architectural Forum in 1957). Michael Saphier Associates, a firm that really established itself with the design of its own new offices, had been founded in 1937. Lawrence Lerner joined them '49. Lerner studied design at Brooklyn College and studied in an experimental program organized by the Russian-born architect Serge Chermayeff. The photo here was taken in 1960, not long after the completion of the Saphier offices at 488 Madison Avenue.Source: New York 1960, Stern, Mellins, Fishman, p. 562.
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Is '60 the moment when the end of the end of the Old Left had been reached and the New Left began to emerge? Is it the final ascendancy, in certain scenes at least, of poetic postmodernity? Surely the publication of Donald Allen's The New American Poetry that year suggests this, but then again--once again--we look back on "New" here and see continuity. The rhetoric of the Kennedy-Nixon contest made much less of a dent than everyone (at the time as well as since) claimed, so one wonders why were such great claims made? 
Had we come to expect "1960" to be truly ubiquitously modern in a way that the 1950s really were not--not quite? And what specifically does "modern" mean in the Kennedyesque talk then and now about the torch being passed to a new generation, etc.? The First Lady really meant "modernist" when Camelotians said "modern." What about the others across the new young cultural leadership? I've been surprised by how frequently the 
"Beat movement" was covered in 1960 in the mainstream press. I was expecting a fair measure but I've found tonnage. 1960 was the year when the figure of the beat was beginning to find acceptance, although still 80% of these stories are mocking, rebels-without-cause condescension. For anyone whose analysis made an impact nationally, do these antipolitical adolescents count as part of the "new young cultural leadership"? No, but rather than the two being opposites, they fall along a Continuum of the New American. Now that's a change for '60.
