1. Ocean's Eleven2. Spartacus
3. The Big Risk (Classe tous risques)
4. Les Les Bonnes Femmes
5. Cruel Story of Youth
6. The Apartment
7. The Atomic Submarine
8. L'Avventura
9. Ballad of a Soldier
10. The Austerlitz
11. The Battle of the Sexes
12. The Bellboy
13. Bells Are Ringing
14. Butterfield 8
15. Can-Can
16. Carry On Nurse
17. Cinderfella
18. Circus of Horrors
19. Colossus and the Amazon Queen
20. Dinosaurus!
21. Dupont Show of the Month
22. Elmer Gantry
23. Exodus
24. The House of Usher
25. Felix the Cat - An Hour of Fun
26. The Felix the Cat - Magic Bag of Tricks
27. Felix the Cat - Poindexter and the Flying Saucer
28. Felix the Cat - Rock Bottom Fails Again
29. Flaming Star
30. From the Terrace
Is '60 the moment when the end of the end of the Old Left had been reached and the New Left began to emerge? Is it the final ascendancy, in certain scenes at least, of poetic postmodernity? Surely the publication of Donald Allen's The New American Poetry that year suggests this, but then again--once again--we look back on "New" here and see continuity. The rhetoric of the Kennedy-Nixon contest made much less of a dent than everyone (at the time as well as since) claimed, so one wonders why were such great claims made? 
Had we come to expect "1960" to be truly ubiquitously modern in a way that the 1950s really were not--not quite? And what specifically does "modern" mean in the Kennedyesque talk then and now about the torch being passed to a new generation, etc.? The First Lady really meant "modernist" when Camelotians said "modern." What about the others across the new young cultural leadership? I've been surprised by how frequently the 
"Beat movement" was covered in 1960 in the mainstream press. I was expecting a fair measure but I've found tonnage. 1960 was the year when the figure of the beat was beginning to find acceptance, although still 80% of these stories are mocking, rebels-without-cause condescension. For anyone whose analysis made an impact nationally, do these antipolitical adolescents count as part of the "new young cultural leadership"? No, but rather than the two being opposites, they fall along a Continuum of the New American. Now that's a change for '60.
